Poojai Tamil Movie Review and RATING
Tamil Movie Poojai Movie Review:
Gopalakrishnan has written Poojai with the mental attitude that something that comes from his camp are lapped up by audiences, despite however sensible or dangerous it's. After all, he is the master of business entertainers like Saamy and Singam.
If you have followed his films over the years, it's easier to predict Poojai from begin to end with eyes closed. thanks to that you realise the director never tries to pioneer along with his films and frequently sticks to a example he is done to death.
If you have followed his films over the years, it's easier to predict Poojai from begin to end with eyes closed. thanks to that you realise the director never tries to pioneer along with his films and frequently sticks to a example he is done to death.
VISHAL POOJAI MOVIE REVIEW:
In his films, the hero is typically terribly near his father or mother. In Saamy, Vikram was terribly shut to his father, then was Suriya in Singam. Vishal is incredibly near his mother in Poojai, and that is why when his mother asks him break the hand that ill-treated his uncle, he with pride obliges.
Gopalakrishnan, celebrated for that includes giant families that keep in giant homes in his stories, continues the format during this film likewise. Vishal belongs to an outsized family and their home is thought-about the largest in their town.
There's perpetually a reference regarding familial and monetary standing in his films. Here, Vishal is turned down by Shruti Haasan for constant reason. In Saamy, Vikram's father is affronted by the heroine's father on the basis of his economical standing.
Gopalakrishnan, celebrated for that includes giant families that keep in giant homes in his stories, continues the format during this film likewise. Vishal belongs to an outsized family and their home is thought-about the largest in their town.
There's perpetually a reference regarding familial and monetary standing in his films. Here, Vishal is turned down by Shruti Haasan for constant reason. In Saamy, Vikram's father is affronted by the heroine's father on the basis of his economical standing.
DIRECTOR HARI POOJAI TAMIL MOVIE REVIEW:
Most industrial films square measure tormented by a heavy drawback for the necessity to incorporate a romantic track. And most of those romantic plots build U.S. marvel if falling smitten is thus straightforward.
In Poojai, Shruti and Vishal entered a duet song once the previous wipes some gravy off the latter's shirt. At that actual moment, we tend to hear Soori passing a funny comment (he has won her heart with a drop of gravy).
We're undecided if the director is really thus stupid to be writing these scenes or he most likely assumes his audience to be dumb. It undoubtedly needs to be the previous as a result of there square measure undoubtedly higher ways that to induce feelings of affection or intimacy between two folks.
His films are high on action. it is so high that villains literally bounce off the ground after they get roughed up by Vishal. Jeeps fly within the air like they're toys tossed off a table by a child. There square measure so much too several chase scenes, weak villains and songs that definitely do not need to be mentioned.
Both Saamy and Singam worked as a result of the heroes were complemented by nice villains. If it was Kota Srinivasa Rao in Saamy, it absolutely was the extremely talented Prakash raj in Singam.
In Poojai, however, we're tortured with villains who hardly have any purpose. Our filmmakers got to perceive it's dead alright to feature a Tamil actor to play a villain settled in bihar. Thousands of Tamilians have settled in bihar, thus what is wrong if you show a Tamil antagonist there?
Both the Diwali releases Kaththi and Poojai have one factor in common. it is the terrible roles of the leading girls. we tend to very marvel if filmmakers take any interest at all in writing higher romantic tracks for heroines, who are usually used as glam dolls.
Poojai should've been more than simply the hero flexing his muscles and fighting.
In Poojai, Shruti and Vishal entered a duet song once the previous wipes some gravy off the latter's shirt. At that actual moment, we tend to hear Soori passing a funny comment (he has won her heart with a drop of gravy).
We're undecided if the director is really thus stupid to be writing these scenes or he most likely assumes his audience to be dumb. It undoubtedly needs to be the previous as a result of there square measure undoubtedly higher ways that to induce feelings of affection or intimacy between two folks.
His films are high on action. it is so high that villains literally bounce off the ground after they get roughed up by Vishal. Jeeps fly within the air like they're toys tossed off a table by a child. There square measure so much too several chase scenes, weak villains and songs that definitely do not need to be mentioned.
Both Saamy and Singam worked as a result of the heroes were complemented by nice villains. If it was Kota Srinivasa Rao in Saamy, it absolutely was the extremely talented Prakash raj in Singam.
In Poojai, however, we're tortured with villains who hardly have any purpose. Our filmmakers got to perceive it's dead alright to feature a Tamil actor to play a villain settled in bihar. Thousands of Tamilians have settled in bihar, thus what is wrong if you show a Tamil antagonist there?
Both the Diwali releases Kaththi and Poojai have one factor in common. it is the terrible roles of the leading girls. we tend to very marvel if filmmakers take any interest at all in writing higher romantic tracks for heroines, who are usually used as glam dolls.
Poojai should've been more than simply the hero flexing his muscles and fighting.
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