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ANJAAN Movie Review

ACTOR SURYA ANJAAN TAMIL MOVIE REVIEW AND SIKINDAR TELUGU MOVIE REVIEW.
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FULL RATING......

Kuala Lumpur Premiere Show.
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Excitements prevailed right from the instant, the primary look of Anjaan was undraped that kept the fans curiously pensive over the release and eventually the massive day arrives. And if you’re looking for an ideal finding of fact, then we've it all for you with an explicit word: Lingusamy offers associate absolute package of recreation that keeps U.S.A. engrossed throughout the show. You won’t feel the time passing by and when you walk out of theatres, a way of satisfaction for the tickets paid would prevail on everybody.

Lingusamy doesn’t miss to stay the film intact and by the terribly initial scene, we have a tendency to are taken straight into the story. Krishna (Suriya) involves Bombay in search of his brother Raju (again vie by Suriya), who is lovingly called Raju Bhai by Mumbaikars. As he meets few characters, the story chronicles back to chapters of Raju Bhai and his shut pal Chandru (Vidyut Jamwal). because the search continues, the mysteries area unit unraveled and therefore the scores are settled with sudden twists and turns that keeps audiences expansively amused..

Suriya unleashes the best in both the avatars as Raju Bhai and Krishna. He becomes the absolute showstopper and keeps stealing your attention in every frame. Be his most vivacious cuteness as a lover boy, his cool mannerisms, chemistry with Samantha or the mind-boggling aggressions on his loss, he strikes with a spectacular show. There are many instances in the film that remains unforgettable in your senses even post-the show. This includes Suriya’s emotional outburst while seeing his friend mercilessly killed leaves a lump in our throats. As Krishna, the actor gains our sympathy with his innocence and looks completely rejuvenated. On the other end, he takes you a jump of exhilarations with his massive Raju Bhai character. The style of using toothpick will surely become the mania in town now. Samantha woos you down with her ultra-glam looks and scorches the screens indeed, especially in the song ‘Ek Do Teen’. Her cute gestures and bubbly nature lets every guy fall in love with her. The scenes where Samantha surprises Suriya saying she wanted to elope from this marriage and the credit of kidnap drama doesn’t belong to him are fun-filled ones. Vidyut Jamwal gets a changeover in his role compared to his previous films. His characterisation establishes the essence of pure friendship and some of his dialogues are delivered with emotional punch. Manoj Bajpai as Imran Bhai deserves special appreciations and his great plan of Holographic 3D is a brilliant surprise. Although Soori doesn’t appear throughout the film, his dialogues with Suriya are hilarious and not to miss the final scene of Raju Bhai surprising him. Brahmanandam is no exception as his miniscule appearance adds more to the humour portions.

Racy screenplay well packaged with equal proportion of action, friendship, romance, humour, glamour and revenge becomes the substantial element in Anjaan. It is obvious that Lingusamy has exerted so much effort into the script by emphasising equal importance to love, friendship and action.  The sacrifices made for the sake of friendship and love is very well etched by the director and such an emotional act from Samantha is heart-melting. Moreover, the script gets more intensified with the dialogues of Brinda Sarathy. Certain lines like ‘Nee Enkooda Irukkura Drogatha Paathirukka, Visuwasatha Paathadhilla’, ‘Thookkura Varaikkumthaan Un Aalu, On the Way la En Aalu’ and ‘Aedhiriyoda Kooda Drohi Irukka Koodaadhu’ are outstanding lines. These lines are clap worthy and there are many scenes like cars on ride during climax, which sends us excited. On the whole, as the tag goes ‘Bang Bang Bang’, there are three bangs in the film that includes opening, interval and climax. The scene involving Suriya, Vidyut and Samantha on the middle of road is Lingusamy poetry. The first half has so much of entertainment and second half is filled with lots of twists and turns.

Yuvan Shankar Raja delivers the exact expressions of mass, romance and emotions with his background score. ‘Bang Bang Bang’, ‘Kadhal Aasai’ and ‘Ek Do Teen Chaar’ have been pictured exquisitely. Usually when a film is shot in backdrops of Mumbai, capturing the locations of Marine drive and few others places would be a commonality. But Santosh Sivan makes a difference by avoiding such stereotypical locales and focuses more on the film’s drama. His placement of angles and treatment of colours offer a brilliant visual treat.

No doubt! Anjaan has blockbuster written all over the film. Lingusamy has come up with ingredients that are necessary for a commercial success in appropriate portions.  Overall, it’s a box office triumph for Thirrupathi Brothers and UTV Motion Pictures. 

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